Former FEAR FACTORY frontman Burton C. Bell has released his debut solo single, “Anti-Droid”
Like his previous work, which continually explored themes of dystopian angst, identity, technology gone wrong, and resilience, the new track arrives with a potent message. “I severed the machine that no longer served me,” he screams in the moody, synth-heavy, sci-fi metal missive. It’s a defiant statement delivered with a confident bombast. Burton C. Bell is back on the offensive.
“I’m starting my solo career,” Burton says enthusiastically. “I’m working with different producers and co-songwriters, making music that I love, with full control of the music and creative direction.”
Bell‘s discography includes multiple live and recorded collaborations with BLACK SABBATH icon Geezer Butler and JOURNEY‘s Deen Castronovo (as G/Z/R); industrial maverick Al Jourgensen and MINISTRY; and guest vocal appearances with PITCHSHIFTER, CONFLICT, SOIL, STATIC-X, SOULFLY and DELAIN, among others. He’s the vocalist of ASCENSION OF THE WATCHERS and CITY OF FIRE and, of course, the co-creator of FEAR FACTORY and the only musician to appear on every FEAR FACTORY release from 1992 through 2024.
“FEAR FACTORY ushered in an entirely new strand of metal when they emerged from the sweatboxes of L.A. in the early ’90s,” Metal Hammer wrote. “‘Demanufacture’ was so innovative that it sounds as fresh today as it did then; a blistering collision of metal and hardcore that easily rivals any of its peers. In short, a masterpiece,” wrote Kerrang! in an anniversary retrospective. It’s a Decibel magazine Hall Of Fame album, alongside classic records by SCORPIONS, JUDAS PRIEST, SLAYER, ANTHRAX and EMPEROR.
FEAR FACTORY created a sound that revolutionized extreme metal, defined in no small part by Bell‘s innovative scream/sing dichotomy and the influences he brought from post-punk and industrial. Songs like “Replica”, “Linchpin”, “Edgecrusher”, “Fear Campaign”, “Archetype”, “Cyber Waste” and “Zero Signal” are modern metal anthems. “Demanufacture” (1995) and the RIAA gold-certified “Obsolete” (1998) are genre-redefining works heralded by fans and critics as essential albums. Orwell, Bradbury, “Blade Runner”, and sophisticated sci-fi and fantasy works fed Bell‘s lyrics and concepts.
The band toured the world with METALLICA, SLIPKNOT, KORN, MEGADETH and OZZY OSBOURNE, taking bands like SYSTEM OF A DOWN and STATIC-X out as support acts in their early stages. After years of behind-the-scenes band member turmoil and legal issues, Bell left FEAR FACTORY in the fall of 2020.
In the chorus of “Anti-Droid”, he declares: “I’d rather be dead than a slave to the factory.”
Bell says “Anti-Droid” is “a statement about breaking free. Breaking the bonds of what I felt was a prison in many ways. Not just financially or contractually but creatively, as well. I felt constrained to this format we’d written ourselves into. The ‘factory’ doesn’t have a capital F. It’s the factory of the music industry, a certain form of business, and priorities. Being a slave to an established way of thinking is not really freedom. I am moving forward.”
Like the faithful cover of RAMMSTEIN‘s “Du Hast” he released in 2023, or the cover of “Enter Sandman” recorded with DANZIG‘s John Christ and METALLICA‘s Robert Trujillo more than a decade before, Bell‘s solo work embodies the best of hard rock, metal, and industrial’s past, present, and future. “Anti-Droid” is but the opening salvo in a brand-new campaign, which will see Burton C. Bell releasing increasingly innovative yet classic feeling, ever-engaging solo material. It also sets the stage for future live performances, certain to deliver the anthems that have defined his body of work, songs rarely played from CITY OF FIRE and G/Z/R, and diverse deep cuts from the FEAR FACTORY catalog.
The 55-year-old Bell had been largely inactive on the musical front since officially announcing his departure from FEAR FACTORY in September 2020. At the time he said that he could not “align” himself with someone whom he did not trust or respect, an apparent reference to FEAR FACTORY founding guitarist Dino Cazares.
More than a fortnight following Cazares initiating a GoFundMe campaign to support production expenses linked to FEAR FACTORY‘s latest LP, Bell officially parted ways with the band. In an interview with Kerrang! magazine, Bell disclosed that his departure from FEAR FACTORY had been brewing for quite some time. “It’s been on my mind for a while,” he said. “These lawsuits [over the rights to the FEAR FACTORY name] just drained me. The egos. The greed. Not just from bandmembers, but from the attorneys involved. I just lost my love for it.
“With FEAR FACTORY, it’s just constantly been, like, ‘What?!’ You can only take so much. I felt like 30 years was a good run. Those albums I’ve done with FEAR FACTORY will always be out there. I’ll always be part of that. I just felt like it was time to move forward.”
Last year, Bell debuted “Paradise Found,” his inaugural exhibition featuring photographic creations, at the Vincent Castiglia Gallery in Fort Lauderdale, Florida. The showcased photographs encapsulated his industrial and science-fiction sensibilities.
“Paradise Found” comprised 20 original full-color photographs depicting abandoned industrial edifices captured amidst darkness and fog between 2002 and 2003. Bell’s images were meticulously printed on aluminum utilizing the dye sublimation technique — an artistic method he dubs “celluloid impressionism.”
Furthermore, Bell‘s endeavor, ASCENSION OF THE WATCHERS, unveiled its second full-length album, “Apocrypha,” in October 2020 through Dissonance Productions.