American nü metal band LIMP BIZKIT has announced the 2024 “Loserville” tour
LIMP BIZKIT‘s North American trek is set to hit 24 cities next summer and feature an epic lineup of special guests — Bones with Eddy Baker and Zavier Wulf, N8NOFACE and Corey Feldman (yes, that Corey Feldman) will perform, and the legendary Riff Raff will host and MC each night.
Kicking off on July 16 in Somerset, Wisconsin, the tour will make stops in Toronto, Ontario; Charlotte, North Carolina; West Palm Beach, Florida; Houston, Texas and more before wrapping up in San Bernardino, California at Glen Helen Amphitheater on August 24.
Presale tickets will be available starting Thursday, December 7. The general on-sale begins on Friday, December 8 at 10 a.m. local time at loservilletour.com.
LIMP BIZKIT 2024 “Loserville” tour dates:
Jul. 16 – Somerset, WI – Somerset Amphitheater
Jul. 18 – St. Louis, MO – Hollywood Casino Amphitheatre STL
Jul. 20 – Tinley Park, IL – Credit Union 1 Amphitheatre
Jul. 21 – Noblesville, IN – Ruoff Music Center
Jul. 23 – Clarkston, MI – Pine Knob Music Theatre
Jul. 24 – Toronto, ON – Budweiser Stage
Jul. 26 – Bethel, NY – Bethel Woods Center for the Arts
Jul. 28 – Bristow, VA – Jiffy Lube Live
Jul. 30 – Holmdel, NJ – PNC Bank Arts Center
Jul. 31 – Mansfield, MA – Xfinity Center
Aug. 02 – Charlotte, NC – PNC Music Pavilion
Aug. 04 – Alpharetta, GA – Ameris Bank Amphitheatre
Aug. 06 – West Palm Beach, FL – iTHINK Financial Amphitheatre
Aug. 07 – Tampa, FL – MIDFLORIDA Credit Union Amphitheatre
Aug. 09 – Pelham, AL – Oak Mountain Amphitheatre
Aug. 11 – Houston, TX – The Cynthia Woods Mitchell Pavilion presented by Huntsman
Aug. 13 – Dallas, TX – Dos Equis Pavilion
Aug. 15 – Albuquerque, NM – Isleta Amphitheater
Aug. 16 – Phoenix, AZ – Talking Stick Resort Amphitheatre
Aug. 18 – Salt Lake City, UT – USANA Amphitheatre
Aug. 20 – Auburn, WA – White River Amphitheatre
Aug. 21 – Ridgefield, WA – RV Inn Style Resorts Amphitheater
Aug. 23 – Concord, CA – Toyota Pavilion at Concord
Aug. 24 – San Bernardino, CA – Glen Helen Amphitheater
LIMP BIZKIT, the iconic nu-metal pioneers, made a triumphant return to the music scene with their highly anticipated album, “Still Sucks,” released in October 2021. This marked a significant milestone for the band, as it was their first studio LP since 2011’s “Gold Cobra,” ending a decade-long hiatus from new album releases.
While LIMP BIZKIT may have been absent from the studio album scene, the band remained active behind the scenes, dedicating considerable time to writing and recording music throughout the past ten years. Fans eagerly awaited the unleashing of “Still Sucks,” which promised to deliver the unmistakable blend of rap-infused rock that defined LIMP BIZKIT‘s unique sound.
The album’s arrival not only served as a sonic revelation but also highlighted the enduring impact of LIMP BIZKIT‘s music on the contemporary rock landscape. “Still Sucks” rekindled the energy and rawness that fans had come to expect from the band, proving that LIMP BIZKIT‘s signature style had not only endured but evolved over the years.
In the realm of chart success, LIMP BIZKIT continued their streak on the Billboard 200, with nine of their albums securing positions on this prestigious chart. Notably, two of these releases, 1999’s “Significant Other” and 2000’s “Chocolate Starfish And The Hot Dog Flavored Water,” not only made their mark on the Billboard 200 but ascended to the pinnacle, claiming the top spot.
Amidst their musical triumphs, LIMP BIZKIT faced challenges, leading to the cancellation of all remaining 2021 shows on their “Post Pandemic Popup Party” tour. However, the band remained resilient, making strategic moves for their North American tour representation. In 2021, LIMP BIZKIT inked a deal with AGI, solidifying their presence and signaling a renewed commitment to live performances in North America.
As LIMP BIZKIT fans reveled in the sonic feast offered by “Still Sucks,” the album’s release became a celebration of the band’s enduring legacy and a testament to their ability to stay relevant in an ever-evolving music landscape.
